Why did Arkady Dobrovolsky and Lina Kostenko, the talented authors of the critically-acclaimed screenplay Check Your Watches, take their names out from the credits of Leonid Osyka’s film Who Return, Will Love to the End based on their screenplay? Using archival materials analysis, this article shows collisions that revolved around Kostenko’s notorious work between 1964–1966 at the Dovzhenko Film Studios in Kyiv.Why did Arkady Dobrovolsky and Lina Kostenko, the talented authors of the critically-acclaimed screenplay Check Your Watches, take their names out from the credits of Leonid Osyka’s film Who Return, Will Love to the End based on their screenplay? Using archival materials analysis, this article shows collisions that revolved around Ko...
The purpose of the article is to study and analyze the peculiarities of V. Zemlyak’s screenwriting i...
The article is an attempt to interpret The Five Obstructions, a film by Lars von Trier and Jørgen Le...
The article reflects on dreams about social life, disappointments and finally the belief in breakthr...
The article concerns famous Ukrainian female poet, literary critic and writer Lina Kostenko (born 19...
MYKOLA MASHCHENKO — THE UNKNOWN CLASSIC OF UKRAINIAN CINEMAMykola Mashchenko, one of the emine...
WHO ARE YOU, MR. LOZNITSA?This text happens to be one of the first attempts at the analysis of Serge...
Between 1964 and 1967, at the end of his illustrious career, Alfred Hitchcock experienced an extrao...
The author attempts to identify the origins of the famous argument between Miłosz and Konwicki about...
ZVENYHORA — MASTERING THE TIME OF HISTORYThe article starts with the statement of the paramoun...
<p>The author attempts to identify the origins of the famous argument between Miłosz and Konwicki ab...
The author analyses the love-hate relationship between Zofia Nałkowska and her seven years’ senior, ...
The purpose of the article is to reconstruct the primary stage of screenwriting and directing collab...
There are many Polish films from the pre-war period that are not known to the public today. Most oft...
CLOSE STRANGERS. THE IMAGE OF UKRAINE IN POLISH CINEMA AFTER 1989This text happens to be an ...
The complex relations of the cinematic image with history and memory are the context for the analysi...
The purpose of the article is to study and analyze the peculiarities of V. Zemlyak’s screenwriting i...
The article is an attempt to interpret The Five Obstructions, a film by Lars von Trier and Jørgen Le...
The article reflects on dreams about social life, disappointments and finally the belief in breakthr...
The article concerns famous Ukrainian female poet, literary critic and writer Lina Kostenko (born 19...
MYKOLA MASHCHENKO — THE UNKNOWN CLASSIC OF UKRAINIAN CINEMAMykola Mashchenko, one of the emine...
WHO ARE YOU, MR. LOZNITSA?This text happens to be one of the first attempts at the analysis of Serge...
Between 1964 and 1967, at the end of his illustrious career, Alfred Hitchcock experienced an extrao...
The author attempts to identify the origins of the famous argument between Miłosz and Konwicki about...
ZVENYHORA — MASTERING THE TIME OF HISTORYThe article starts with the statement of the paramoun...
<p>The author attempts to identify the origins of the famous argument between Miłosz and Konwicki ab...
The author analyses the love-hate relationship between Zofia Nałkowska and her seven years’ senior, ...
The purpose of the article is to reconstruct the primary stage of screenwriting and directing collab...
There are many Polish films from the pre-war period that are not known to the public today. Most oft...
CLOSE STRANGERS. THE IMAGE OF UKRAINE IN POLISH CINEMA AFTER 1989This text happens to be an ...
The complex relations of the cinematic image with history and memory are the context for the analysi...
The purpose of the article is to study and analyze the peculiarities of V. Zemlyak’s screenwriting i...
The article is an attempt to interpret The Five Obstructions, a film by Lars von Trier and Jørgen Le...
The article reflects on dreams about social life, disappointments and finally the belief in breakthr...